Should the US Taxpayer Bail Out the US Automobile Industry Term Paper

Should the US Taxpayer Bail Out the US Automobile Industry - Term Paper Example Besides there exist questionable approaches and elements within the framework of most of the top US automakers, which if supported by a bailout, stand to persist. The fact is that the American automakers seek money from the US taxpayers to retain their status quo, rather then for embarking upon an ambitious program to weed out the inefficiencies and lacunas existing within their setup (Gattuso and Loris 1). The politicians prefer to justify such emergency measures by citing the massive losses incurred by the US automakers. Off course their exists ample truth in such claims. In October, the sales of GM fell by 45 percent (Gattuso and Loris 1). The Chrysler and Ford also reported respective plummeting of sales by 34.9 and 30.2 percent (Gattuso and Loris 1). The automakers ascribe this drastic drop in sales to the existing credit crunch. Still, one can not deny the reality that the US automakers did take many shoddy decisions before the credit crunch that unleashed the current crisis (Gattuso and Loris).

Concert Assignment Example | Topics and Well Written Essays - 500 words

Concert - Assignment Example But let us prove such a general line of current musical opus with some evidents, sure, along with â€Å"aura† analysis. Total duration of the opus is 8:30. First part is till 5:18. Second part is from here until the end, approximately 8:15. First part is slow, weak (â€Å"dark† Capitalism), melancholical, full of classical allusions, and repetative. I think, as it was already suggested beforehand, that this weak, slow, and repetitive movement, full of classical allusions, depicts a character of Western and American late capitalist society, as it was viewed by Shostakovich. So, first part is extremely â€Å"dark.† Its aura is â€Å"black† and fantastic one, in terms of German romantism in music.That is why this â€Å"nature† (initial one) of the opus is ruled over by another one, light and strong, like a sun of the rising Communism over the world. Second part gets a victory over the first one after a bright and powerful culmination, which begins at 5:18. Classical movement of the opus (its first part) is overwhelmed by an â€Å"epic† nature of Communism victory. As a composer, Shostakovich suggested that this victory would be very hard and full of efforts (victims?), but its â€Å"light future† is determined, in general. Therefore, fierceful movement of powerful victory of Communism depicted in terms of its ideological strength. To conclude with, â€Å"classical† nature of oldish Capitalism is ruled over a bright revolutionary musical movement of young Communism in the epic battle over the future of the world. Capitalism is weak because of its lack of ideological dominants and motivational strength. This idea was depicted by Shostakovich in his No. 8 in C minor Largo and Allegro Molto. Again, as for the â€Å"aura† analysis, first part of the performance was extremely moody, black and dark as a night. As it was stated, this â€Å"nature† was taken over by a â€Å"sunny† and â€Å"fierceful† (to its enemies) day of rising Communism.